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Review of Movie: Koyannisqatsi

  

            The following are some thoughts on the movie “Koyannisqatsi”, a 1982 film directed by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron Fricke. As part of my Photography II class, I was asked to watch this movie with keeping in mind the formal use of light, color, music and composition throughout the film. The movie lacks any narration or spoken dialogue. The theme of the movie is driven by strong visuals and minimalistic electronic music.

            Throughout the film, the juxtaposition of aesthetically similar yet thematically different images build the tension between nature and Man. For example, we are presented macro shots of circuitry boards, which have a serpentine labyrinth of conductive tracks and pads. From there we are shown aerial shots of developments of houses and cities, doubling the aesthetic of order out of chaos. Many contrasting shots can be found throughout the movie. From the onset, we find eerie cave paintings of ghost-like human images painted on a cave wall. The lighting is directional and casts deep shadows through the cave. The scene is soft lit and of a monochrome, earthy nature. We are then snapped out of this quiet intimate scene to be barraged by the lift-off of a rocket, (though investigation I found it to be footage of the May 1962 explosion of the first Atlas-Centaur). This sequence is loud and well lit, as light literally explodes from the scene.

            The use of time is evident in the movie. Slow motion and time lapsed sequences are throughout the sequences. One sequence shows a mass of people waiting on line at what looks like to me as a racetrack. The scene is sped up and the people looks as ants going about their day. While another sequence shows close-ups of single subjects walking on the street in slow-motion. Technology and mechanization are prevalent in the latter portion of the movie, as we see images of hot dogs being made and people being moved by escalators. The theme of human encroachment on nature is evident by the conclusion of the movie.

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